About this exposition

In this research exposition, I explore the field of classical music presentation through the lens of ASMR (autonomous sensory meridian response), a unique sensory perception and a YouTube/media phenomenon. My research question is: What can I learn from ASMR about contemporary audiences' perception of sound, and how can I integrate this into my artistic practice?

Although ASMR initially seemed bizarre and insignificant to my colleagues in classical music, its millions of internet followers highlight its broad appeal. By comparing ASMR to synaesthesia, I focus on perception and sensory experience, examining their similarities and differences as both neurological and social (artistic) phenomena.

My research includes an analysis and five experiments using ASMR tools, culminating in two performance concepts developed during my master's studies. These concepts are detailed in Chapter 4, along with documentation of the process.

To broaden my understanding, I consulted literature in sociology, history, psychology, neuroscience, and philosophy. This research reflects my ongoing journey from studying the past to engaging with the present and future of music and sensory perception.